The Pink Panther Film Collection (The Pink Panther / A Shot in the Dark / Strikes Again / Revenge of / Trail)
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Description
Cue the Henry Mancini music and watch out for Cato--the gist of the Pink Panther series has been gathered in a six-disc boxed set. At the center of it is Peter Sellers's incarnation of inspector Jacques Clouseau, a hopelessly bumbling detective with a genius for resting his hands in the wrong place (on the surface of a spinning globe, for instance) and mangling the English language. Writer-director Blake Edwards cast Peter Ustinov as Clouseau in The Pink Panther, but Ustinov dropped out just before shooting began. Edwards (who recounts this story in a spotty commentary track included here) and Sellers bonded over their affection for Laurel and Hardy, and immediately transformed the character of Clouseau into a walking sight gag. The first film has a delicious swinging sixties vibe, while jewel thief David Niven, Claudia Cardinale, and Capucine occupy as much screen time as Sellers. Sellers really hits his stride in A Shot in the Dark, an elegantly funny tale of Clouseau sleuthing out a murder investigation. This one introduced Herbert Lom, as the increasingly frazzled Inspector Dreyfus, and Burt Kwouk, as Clouseau's houseboy-nemesis Cato. Sellers and Edwards, whose relationship was stormy, put Clouseau aside for over 10 years, until a trilogy of mid-1970s comedies restored the character to commercial (and dare we say cultural) primacy. Unfortunately, the very funny comeback picture, Return of the Pink Panther, is absent from this set due to rights issues with the studios involved. The Pink Panther Strikes Again has Dreyfus going bananas and targeting Clouseau; Revenge of the Pink Panther puts Clouseau in a hilarious series of disguises, climaxing in a wonderfully mounted sequence in Hong Kong. (Throughout the series, the calm, classical staging of gags by Blake Edwards reminds you of what a lost art this has become.) Trail of the Pink Panther looks better now than it did when originally released in 1982, shortly after Sellers's death; it's a batch of unused Sellers routines from previous pictures, strung together with a loose plot. In other words, it's a "deleted scenes" extra, and quite funny at times. Subsequent efforts Curse of the Pink Panther and Son of the Pink Panther are neither included nor mentioned. A half-hour documentary gives pleasant memories from Edwards, but feels incomplete. The cartoon Panther gets his own 11-minute mini-doc, plus six cartoon shorts including the Oscar-winning "The Pink Phink." --Robert Horton
Description
The history of film comedy would have been much altered if Peter Ustinov had stayed in the role of Jacques Clouseau, the bumbling French police inspector in The Pink Panther. But Ustinov dropped out, the role went to Peter Sellers, and a classic character was born: suspicious, blundering, with a pompous little mustache and a sometimes impenetrable accent, Clouseau was always one step behind everybody else in the room. Directed by Blake Edwards, The Pink Panther introduced Clouseau hot on the trail of a famous jewel thief (David Niven), who may be planning to make off with an expensive gem known as the Pink Panther. Set in a European ski resort, this bubbly comedy is a wonderful dose of '60s style, from the famous Henry Mancini theme music to the presence of two of Europe's top sex symbols of the era, Claudia Cardinale and Capucine. The film also introduced the popular cartoon Pink Panther, slinking around to Mancini's music in an animated credits sequence. The film's success brought a follow-up, A Shot in the Dark, also released in 1964, and the series took its complete shape, with star Peter Sellers really tweaking that French accent and key supporting players Herbert Lom, Burt Kwouk, and André Maranne all getting on board for the first time. The story finds Sellers refusing to believe in the guilt of a beautiful woman (Elke Sommer) accused of murder, and there are a number of hilarious sequences, including one in which Clouseau goes "undercover" at a nudist colony. Arguably the best of the films, A Shot in the Dark definitely finds Edwards honing a seamless blend of slapstick, brilliant timing, verbal wit, a great cast, and Sellers's brilliance into a unique experience. Following The Return of the Pink Panther (which is not included in this set due to studio rights issues), the fifth film in the series, The Pink Panther Strikes Back finds Chief Inspector Dreyfus (Herbert Lom) driven insane by Clouseau's incompetence, threatening global destruction unless Clouseau is eliminated once and for all. Of course, the bumbling Clouseau leads a kind of charmed life, emerging relatively unscathed (and completely oblivious) from a phalanx of 26 unlucky assassins! Along the way, Sellers dons a variety of costumes and hilarious accents, and his improvisational style is given free reign. For good ol' fashioned slapstick comedy, they don't get much funnier than this. The Revenge of the Pink Panther is a weak entry in the pantheon, involving a rather mundane plot about a "French Connection" drug deal that leads Inspector Clouseau--presumed murdered and now sleuthing incognito--to Hong Kong for a brash, slapstick finale that almost compensates for the routine gags that precede it. Revenge was the sixth Pink Panther comedy and the last to star Peter Sellers; the following film in the series, The Trail of the Pink Panther incorporates previously unseen footage of Sellers into a new plot involving Joanna Lumley (Absolutely Fabulous) interviewing characters from the earlier films.
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